Using this technique proved to be extremely beneifical as it allowed us to express ideas as they came to our head and we could weigh up the pros and cons of each suggested shot, comparing the features, why they would work and which would work better. It was also good because all of the group had a certain input and every one could see what others were thinking. The shot of Jacob holding the bottles didn't look as professional as the green screen use of bottles as it required Jacob to hold the bottles while perfoming. The bottles were empty and had been there for quite a while so they actually looked quite old and not prestine. Also, we took into consideration the audience of our production and decided it could possible advertise and somewhat glamourise drinking, which is definitely not our intention. We therefore opted to use green screen as we agreed it would look more proffessional and look more like a music video of the contemporary society.
Tuesday, 6 December 2011
Initial Planning (Studio)
Using this technique proved to be extremely beneifical as it allowed us to express ideas as they came to our head and we could weigh up the pros and cons of each suggested shot, comparing the features, why they would work and which would work better. It was also good because all of the group had a certain input and every one could see what others were thinking. The shot of Jacob holding the bottles didn't look as professional as the green screen use of bottles as it required Jacob to hold the bottles while perfoming. The bottles were empty and had been there for quite a while so they actually looked quite old and not prestine. Also, we took into consideration the audience of our production and decided it could possible advertise and somewhat glamourise drinking, which is definitely not our intention. We therefore opted to use green screen as we agreed it would look more proffessional and look more like a music video of the contemporary society.
Analysis of Lyrics
(Swizz Beats -Chorus)
I got a million ways to get it
Choose one (choose one)
Hey, bring it back (bring it back)
Now double your money and make a stack (The protagonist will be stood in front of a alter during these lyrics and we will see through his eyes)
I’m on to the next one
On to the next one
On to the next one
On to the next one
On to the next one
On to the next one
On to the next one ( During these scenes multiple cuts will be used to replicate the fast beat of the actual soundtrack )
Hold up, freeze (During this specific lyric we deployed a traffic light to convey time stopping and Jacob progessing)
Somebody bring me back some money please,
(Jay-Z)
Hov on that new shit n-ggas like how come
N-ggas want my old sh-t, buy my old album
N-ggas stuck on stupid, I gotta keep it moving
N-ggas make the same sh-t, me I make the blueprint ( During this scene, Jacob will be dressed in samrt attire which will contrast the white screen he will be positioned in front off. Also the aittire he is dressed in conveys his wealth as he is now 'On To The Next One' )
Came in Range, hopped out the Lexus (A lexus car is driven because it represents wealth yet conjuncts back to the lyric)
every year since i’ve bin on that next sh-t
traded in the gold for the platinum rolex’s (Jacob stands ouside the rolex shop which enhances his status. It also juxtaposes the previous scenes which screen jacob performing in an alley way, conveying poorness)
Now a n-gga wrist match the status of my records (A platinum plaque is deployed on the green screen during this lyric. this solves the subliminal riddle hidden in this specific lyric)
Used to rock a throwback, ballin on the corner
Now I rock a teller suit looking like a owner
No im not a Jonus brother I’m a grown up
No I’m not a virgin I use my cahonas
I move forward the only direction
cant be scared to fail Search and perfection
Gotta keep it fresh even when we sexing
but don’t be mad at him when he’s on to the next one
Freeze
(Chorus) ( A collaborative performance starring Jacob and Lucy will take place during this scene. This will entail us securing numerous takes of this performance with an aim of attaining precise footage)
[Verse 2]
F-ck a throwback jersey cos we on to the next one,
and f-ck that autotune cos we oohhhhn,
and n-ggas don’t be mad cos it’s all about progression,
loiterers should be arrested, I used to drink Kristal,
muthaf-ckers racist, so I switched Gold Bottles on to that spade sh-t, ( A green screen will be deployed during this scene showing seqeuntial cuts of gold bottles )
you gon have another drink or you just gon babysit,
on to the next one, somebody call da waitress,
Baby i’m a boss, i dunno what they do, (Rick Ross is renowned as BOSS in modern day hip hop thus the image being deployed during this specific lyric)
I don’t get dropped, I dropped the label,
World can’t hold me, too much ambition, (Jacob would be stood on top of the Arndale rooftops with the rest of Manchester behind him, conveying his dominance of the city and enhances his credentials as the lead performer)
always knew it’d be like this when I was in the kitchen,
n-ggas in the same spots, me I’m dodging rain drops,
meaning i’m on vacay, chillin on a big yacht,
yeah i go ton flip flops, white louie boat shoes, (Footage of an associate performing the 'Crip Walk' will be positioned during this lyric as it compliments the narrative. "Los Angeles, California by Crip gang members" and is now used in modern day hip hop to express feeling just like other contemporary dances)
you should grow the f-ck up,
come here let me coach you,
Hold up,
[Chorus] (A montage of shots consisting of Jacob in an alley way and a break dancer will inter-cut producing a unique ending to the music video.)
Monday, 5 December 2011
Inspirational Ideas
video has a certain contexuality that can be compared to th
e video, “P.I.M.P” by the rapper 50cent. The rapper uses an iPod to start his song, which was popular at the contemporary era, the time in which the song was released. We gained some inspiration from this and decided to use a similar technique, but with technology
ich begins the song. When compared, this does in fact show the way in which society progresses and waits for nobody; and so you should always aim to achieve your own dreams and never give up, as said in the song “it’s all about progression.”
Goodwin's Theory
Other links consist of when the lyric 'LEXIS' is being said the car 'Lexis' is being driven this refers to the video as climbing social status's, having this car would be seen as Wealthy and this is how Jay Z wants to conveyed to his audience.


In our adaptational video, there is a relationship between music and visuals. The sound of the song and the effect is has on the listener is definitely reflected in our music video. For instance our fast paced song has a fast cutting rate and sharp shots in various locations. This is constant throughout however on parts that are slowed down we signify these.
Notions of looking plays on the idea of gaze and the way a character in particular is conveyed. However it is not just restricted to women it may also represent men in stereotyped way such as controlling or violent. In our video the representations are of men (Jacob). He is portrayed with attitude yet it deligates his rogue personality.In the video Lucy and Jacob perform together when the lyric 'Looking like I owner' is being said. At this specific time Lucy places a blazer on Jacobs shoulders. A close up of Jacob is shown expressing his emotion however his old life style still prowls through even though he is now sucessful and wealthy.
Furthermore, there are various lyrics which imply voyeurism. For instance 'No im not a jonas brother im a grown up, no im not a virgin i use my cohonas' This is futher emphasised on screen by Rebecca being in the bed and Jacob is sat on edge revealing that something intimate happened. Also a sign 'Grown ups only' is on the door.

Demands of the Record Label- Jacob in the performance is shown as a wealthy appealing male due to his rich life style, which includes Cars, women and money. Being represented as all of the above would reach out the to target audience of women as they find it highly attractive, yet men aswell as they aspire to be like him in the future. This is crucial as particular genders are more inclinded to listen to cetain genres of music so making it appeal to both ultimately draws their attention.The narrative allows the music in our video to come to life,like a real story. The story in our performance is apparent as beginning in unattractive locations yet gradually becoming wealthier represents the superior aspects. Yet performance is included as Jacob is lip syncing in the video.
Sunday, 4 December 2011
Album Cover Images

Saturday, 3 December 2011
Initial Planning (Research into Hip Hop/Rap genre)

o only one genre. So we did in fact analyse a selection of different genres, including the folk/acoustic “The a Team” by Ed Sheeran. The dance/pop “Telephone” by Lady Gaga and the hip-hop/rap “Hustle hard” by Ace Hood. In my opinion, analysing a selection of different genres and not limiting it to one, allowed us to gain a better insight to the music industry and the way in which music videos work; thus giving us a better advantage when making our own music video.
wanted to get across the message that anything is in fact possible. 

Adaptations to our production

Since filmed in colour, our production was firstly based in colour throughout. When planning the Video at the commencement we decided on editing the footage to all black and white because it seemed adequate for the hip hop genre. However when exporting and filling up the timeline we came to the conclusion that the colours applyed caught the viewers eye making it striking for the audience. Due to this we only changed distinctive parts such as Jacob and Lucy in the studio lip syncing the lyric 'On to the next one' together.
Many other creative desicisons such as the montaged street dancing constructed to add realism due to the jusifications of modern day hip hop videos habouring a dinstintive type of ritual dance. As seen in 50 Cent "Candy Shop" music video.


This is an aspect of intetextuality we trtied to replicate in our adaptional video.

